All posts by Cindy Salo

October 31, 2013

Days of work, days of our faithful crew preparing ground, pulling mesquites, tilling, planting seeds of rye and wheat and barley and oats, days of sowing come to fulfillment and now for the careful and tedious watering that must follow. Now begin other days, Days of the Dead, for los difuntos who are to be invited to come again to us for a moment and take part in life with us lest we forget them, or what might be even worse on our part, forget that we will be them …

The air and scene at sunset keep well the celebration: colorful and arresting, and as do these Dias de los Muertos, also whispering of continuous change and of how the impermanence of all things is crucial to the going forward of life itself. The Galiuros become dark lavender and lead, under sky of coral and rose, the Great Cliffs across our rio a shadowed, dusky pink. Cold air creeps down the valley floor, and quietly warns the promised change to another half of the year is indeed here. Days are growing short, the ending of light keeps me from doing last chores and all along the road on the way home the nightbirds sit–Poorwills. They do not want to rise before the truck and my headlights, I barely miss plastering one or another of them. They are incredibly numerous, and I listen for them later from the bed in a new, for-now room of massively thick walls and large windows that look out on wide, level pastures and the tall edge of the cold bosque; but no Poorwills call, none announce the arrival tomorrow of los angelitos … […]

October 30, 2013

The clouds, round, leaden gray, are in piles across the sky, or scattered touching the crowns of the Rincon. They are clouds of Winter, and if I were up on those granite-spired heights, I’d no doubt be thinking, “Snow!” I can hardly grasp that this is only the day after yesterday; the temperature isn’t going to rise out of the 60s. The great fluctuations between days like Autumn and days like Summer have the insects coming and going in response, though one day soon they’ll go “for good” (that is, for however long our entertainingly short Vernal-winter lasts!) Only one or two dragonflies patrol The Stockpond, and one blue damselfly and one red dragonfly over The Cienega in the freezing morning. In #1 Pasture there are no grasshoppers on the bermudagrass, which remains green, but I listen to an under-concert of crickets; in the flats of dried Saltweed, a couple of dull-colored grasshoppers, and one bright Red-winged.

How can we be so far along towards Winter, if the “ephemeral” dirt tank in #2 Pasture still has water in it? A Tarantula Hawk is there drinking, and one brown-and-bluish dragonfly, and a Painted Lady butterfly. In that pasture stretching out from the tank more grasshoppers are active, including scattered Red-winged before noon, and as the day warms (well, as much as it’s going to) many more of them come out under the sun until their clicking can be heard across all the wide grass. Boy are they back.

October 29, 2013

A most pleasant, warm day range riding the Sonoran Desert uplands, basking on horseback in 80 degrees. The season progresses undeniably, though, the colors of the dried and drying forbs, shrubs and grass autumnal. Most everything is fading from whatever color they were, towards a universal straw and bronze–even the Creosote Bush leaves–the Fairy Duster is purple, the Morning Glories are open brown stars holding seeds, they’re a haze of fuzz catching the light and as decorative as when the large blue flowers were open in a wetter time. Wind hisses through thorns in the narrow passages among one Saguaro’s impossible number of arms. Yet, the arroyo floors are bright green, where Palo Verdes and even the mesquites aren’t bothering to ready themselves for Winter. The main bed of the Rio San Pedro, much farther below, is still as lush and Cottonwoods down there as sparkling green as on any Summer day.

October 25, 2013

Individual leaves on Old Man Hackberry by The Stockpond are turning yellow, dropping slowly one by one from the mostly green canopies to the ground. The cows are wild for them, crunch them up like bright little potato chips. A Buckeye Butterfly soars over the leaf litter, camouflaged by its wonderfully complex and colorful wing patterns of eyes, spots and bars.

 

October 22, 2013

Dozens of those pipits land around me as I set up the lines to guide for Joel when he soon comes to give another try at cultivating for the winter pasture planting, and a dozen Javelina come to drink at The Cienega there. Russet the Harrier floats by me, with such grace that no one can have helped yelping out like I, “Oh! Oh, oh!” Then all the Meadowlarks fly in, join this wildlife samba rolling down the Pasture around me.

It’s an evening of delightful balminess, a Bahamian 80 degrees at sundown. A Red-tail out there looks like it’s stomping grapes, then flies off with a snake dangling long from its talons, flies low over the pasture and vanishes along with the light into the bosque.

Doves, wave upon wave of them, come flapping loudly and wing-whistling loudly … volleys of 30 or 40 birds at a time, in low over the pasture to the North, come vaulting over the mesquite tree tops. Hundreds–countless–they come, they come, they come, landing among others already rimming the entire pond, two or three at every cow pog full of water. So crowded do they become that some hover and teeter barely above the water out in the middle with bills thrust down to sip like hummers, almost falling in. The air is so full of the loudness of all this, and the whipping around of wings, and the silhouettes of ever more arriving doves, I for a moment can imagine why some people could become unsettled or even feel panic with such a level of wild activity, remember Boris Karloff’s presentation of “Pigeons from Hell” that revisted me in nightmares for most of Third Grade. You know you’re in trouble when they stop cooing.

October 21, 2013

Sky is music itself–“Chick chack chick! Chick chack chick! Chick chack chick!”, down from the passing Brewer’s Blackbirds … “Sweet sweet sweet sweet”, from the Pipits … “Chick chack chick!” … “Sweet sweet!”

The largest Tarantula Hawk ever comes thirsty to The Stockpond, where there are lots of dragonflies, damselflies and Snout Butterflies today. A relaxed covey of Gambel’s Quail drink, too, and then from the bank behind them most unwelcomingly comes popping up a Cooper’s Hawk, bringing chaos to replace the innocent peace and I can almost hear the hawk let loose a rakish “Bleuh!” just before it snags one of the quail, as if in vampire cape of approaching Halloween.

An owl hoots, in the warm 75 degrees of last light. Poorwill is friendly, not at all put out by the truck in The Lane, bounces its head up and down then rises and with fine acrobatics catches a moth bright in the headlights. We whistle and chirp, one with the other for a while until I wish it a good night’s day, then make a last stop before utter dark at The Stockpond where swallow-like bats are right at its surface taking drinks and moving across like rocks being skipped. As they fly by in zig-zag fashion they seem to flash on and off; they’re very pale, and there are very many of them.

October 20, 2013

Still, Moon is full, rises in truly night-dark sky tonight. Under Her the horizon above half of Earth is glowing and lit: the wide desert sand and reflective cliffs and billions of glossy leaves of Creosote shining back the moonbeams must cause the incandescence. Moon rises higher, dazzling in an inky sky She robs of stars.

October 18, 2013

Dawn Moon, old ivory, glowing, cupped between the Rincon and Mt. Lemmon.

The first Barn Swallow in three weeks wings in, does not linger, is gone–and so with it are they all. It leaves behind a Great Blue Heron motionless in The Stockpond. Avian migrants on the way South, human migrants on the way North, viajeros on these multi-level highways running North and South piercing that bubble-fiction called “The Borderline”. Creatures move. It’s what we do.

Deep, dry borders of the recently arrived “African Grass” (Enneapogon) shine silver and white as late sun passes through them, beyond the River’s edge fence where the cattle can’t reach, and before a backdrop of light and dark green Cottonwoods. On every steep hill and high mesa to the West of that gallery forest of alamos, the Ocotillo have already dropped their leaves that had given their own brief but subtly exquisite fall foliage show of yellow and orange. Autumnal shadows of Creosote Bush streak long down those slopes, and drip over edges into darkening arroyos.

Full Moon, new ivory, a crown atop a rounded peak, rises into that deep blue penumbra cast by Earth out into fathomless Space. Above Moon, all the sky is pink, and as She is almost let free by mountain crown of Muleshoe wilderness, Moon seems held aloft by some priest or holy woman, a Eucharist coming to be made sanctified. Moon hovers just above the mountain, in ancient symbol, Egyptian, Hohokam, Japanese. The Creosote Bush glow.